The requinto is the lead guitar in sierreño and corridos: the intro everyone recognizes, the runs between the singer's lines, and the ending. This guide takes you from holding a 12-string for the first time to playing your first requinto run.
In a sierreño group there are usually three parts: a rhythm guitar playing the chords, a bass or tololoche keeping the low notes, and the requinto playing the lead. The requinto answers the singer. It plays short runs in the spaces between vocal lines, never on top of the words.
Most sierreño players use a 12-string guitar, called a docerola. It has six pairs of strings, and you play each pair as if it were one string, which gives the requinto its thick, cutting sound.
Not the trio requinto. The same word also means a small six-string guitar used in boleros and romantic trios. That is a different instrument and a different style. This guide is about sierreño requinto on the 12-string.
A 12-string uses the same notes as a 6-string, from the thickest pair to the thinnest: E, A, D, G, B, E. The difference is that each note has two strings.
Most sierreño players use cuerdas pares: both strings of each pair tuned to exactly the same note, using two regular sets of strings. Factory 12-strings usually come in octave pairs instead, with a thinner string an octave higher on the lower pairs. Check yours before you tune.
Tune one string at a time, resting a finger on the other string of the pair so it cannot ring. Always tune up to the note; if you go past it, drop below and come back up.
Read the full tuning guide or open the free tuner.
Most corridos use three chords. Musicians in this genre call them primera, segunda and tercera. In the key of E, those are E, B7 and A. Pairs are numbered from the thinnest (pair 1) to the thickest (pair 6).
| Chord | Role | Where your fingers go |
|---|---|---|
| E | Primera, home | Finger 1 on pair 3, fret 1. Finger 2 on pair 5, fret 2. Finger 3 on pair 4, fret 2. Play all six pairs. |
| A | Tercera | Fingers 1, 2 and 3 on pairs 4, 3 and 2, all at fret 2. Skip pair 6. |
| B7 | Segunda, tension | Finger 2 on pair 5, fret 2. Finger 1 on pair 4, fret 1. Finger 3 on pair 3, fret 2. Finger 4 on pair 1, fret 2. Pair 2 open. Skip pair 6. |
B7 always wants to go back to E. That pull is why musicians call it the preparación. See the three chords in five keys.
Corridos are in 2/4 time: two beats per bar. Your picking hand does two jobs, a bass note on beat 1 and a strum on beat 2.
On an E chord: pick pair 6 on beat 1, strum the higher pairs on beat 2. Then pick pair 5 on the next beat 1, and strum again. That back-and-forth between two bass notes is the sound of the corrido.
Count "one, two" out loud and keep it slow. Steady always beats fast.
Here is the run nearly every requinto player uses to end a song in E. It walks down the scale from the third note to home: G♯, F♯, E, all on pair 1.
The numbers are frets on pair 1, the thinnest. Pick them one at a time, alternating down and up, and let the last note ring over an E chord. That three-note idea, played in any key, is how most songs in this music end. See the same ending in five keys.
| Minutes | What to do |
|---|---|
| 2 | Tune, pair by pair |
| 5 | Switch between E, A and B7 until every pair rings clean |
| 5 | The corrido rhythm, bass and strum, with a metronome |
| 3 | The ending run, slowly, then a little faster |
Use a metronome set slow enough that you never make a mistake. When you can play something clean three times in a row, speed it up a little.
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